Assignment

Jonno Rattman for Hopes&Fears

Jonno Rattman for Hopes&Fears

Alex Thebez for Hopes&Fears

Alex Thebez for Hopes&Fears

Dolly Faibyshev for Hopes&Fears

Dolly Faibyshev for Hopes&Fears

Adrienne Grunwald for Hopes&Fears

Adrienne Grunwald for Hopes&Fears

Talia Herman for Hopes&Fears

Talia Herman for Hopes&Fears

Matt Eich for Hopes&fears

Matt Eich for Hopes&fears

Cole Wilson for Hopes&Fears

Cole Wilson for Hopes&Fears

Alex Welsh for Hopes&Fears

Alex Welsh for Hopes&Fears

William Mebane for Red Bull Music Academy Daily

William Mebane for Red Bull Music Academy Daily

Research

Luca Locatelli/INSTITUTE · Hopes&Fears

Luca Locatelli/INSTITUTE · Hopes&Fears

Lars Tunbjork/Agence VU · Hopes&Fears

Lars Tunbjork/Agence VU · Hopes&Fears

Mario Tama/Getty Images · Animal New York

Mario Tama/Getty Images · Animal New York

Anadolu Agency · Animal New York

Anadolu Agency · Animal New York

Tuol Sleng · TIME LightBox

Tuol Sleng · TIME LightBox

Mark Peterson/Redux · Hopes&Fears

Mark Peterson/Redux · Hopes&Fears

Amy Lombard · Hopes&Fears

Amy Lombard · Hopes&Fears

Jerome Sessini/Magnum · American Photo

Jerome Sessini/Magnum · American Photo

John Moore/Getty Images · Animal New York

John Moore/Getty Images · Animal New York

Writing

FEATURES

A brief history of burning negatives

For reasons aesthetic, emotional, practical and political, photographers have been bringing a flame to their film and sending archives up in smoke since the inception of the medium.

lightbox.time.com

R. Crumb’s unseen photographic source material

Unearthing a series of typological photos made by the legendary and controversial cartoonist to draw from as source material for the bleak background reality of his urban life comics. 

lightbox.time.com

Photography of the Absurd

“I want to be vexed, pushed, startled by a book. It shouldn’t be set up as too smooth a ride.”

lightbox.time.com

The race to save a haunting glass-plate photo archive

One man's quest to save a rapidly deteriorating 5,000 glass-plate negative archive of ghostly portraits by a largely unknown Romanian photographer. 

lightbox.time.com

 

Conversations on photography with

Alec Soth

"There’s been the longing for narrative, and at the same time the knowledge that photography often resists it, and functions best when narrative is imagined." 

americanphotomag.com

Duane Michals

On simulation, imitation and redefining the rules of the medium for 50 years.

americanphotomag.com

Todd Hido

What makes a good photobook? What makes it the best?

americanphotomag.com

Joel Meyerowitz

Road photography and overcoming the blindness that afflicts the short-term traveler.

americanphotomag.com

 

Additional work featured by

About

Eugene Reznik is the Digital Features Photo Editor at Bloomberg. Previously, he was the Director of Photography of the digital publication Hopes&Fears, an editor at American Photo Magazine and a writer for TIME Magazine’s LightBox photography website. Eugene began his career in photography as a work scholar at Aperture Foundation while completing his BA in Journalism and English & American Literature at New York University. 

Recent clients include: adidas US, Red Bull Music Academy, The Intercept

For freelance inquiries, portfolio reviews, or collaborations of any kind, please get in touch directly.

 

Email: hello@eugenereznik.com

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